Margaret’s emotional state is cleverly rendered for the page by Miracolo.
All tagged Christopher Priest
Margaret’s emotional state is cleverly rendered for the page by Miracolo.
More fun than it has any right to be.
Priest plays with a great deal of complexity.
Priest finds a relatively untrodden path with vampire fiction: parenthood.
Priest allows the narrative to settle into a really nice rhythm.
it’s kind of difficult to get a feel for increasing tensions.
There are some very strong emotions being expressed.
Priest is managing, very tricky balance.
There really IS a kind of weighty reality that Priest is bringing to the page.
Gündüz frames some really striking imagery.
A fun opening to what is hopefully going to be a really well-articulated horror drama.
A sharply clever job of articulating bewildering complexity.
There’s a tremendous amount of power shooting across the page.