Schultz find some interesting new territory for Rogue.
All in Action
Schultz find some interesting new territory for Rogue.
The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
The story comes across as a very well-executed horror.
Tynion begins to bring a lot of elements together in the penultimate chapter of the series.
Young has little difficulty, pulling the narrative in a lot of weird directions.
Johns certainly seems to be entering some very interesting territory.
It's OK, though: they’re “savages.”
Writer Tony Fleecs gives his popular series the silent issue treatment.
A 1990s zine-like in the comic book with a hand-made feel.
Silvestri’s best work in the issue involves the conversation that Jackie has with the demons
Things get pretty brutal towards the end of the series.
Johns paint the script in broad strokes.
There’s a crude appeal in the overall run of a series.
There’s something good in Battle Beast...but it’s not all that clear quite precisely what it is.
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
It’s always a pleasure to hang out with Felicia by way of G. Willow Wilson.
A staggeringly aggressive 9-page fight sequence
Ewing does an impressive job of juggling everything.
Howard and Tarr are a great match.