Tomasi takes traditional science fiction concepts that aren't uncommon to comic books and finds a new way to present them on the page.
All in Action
Tomasi takes traditional science fiction concepts that aren't uncommon to comic books and finds a new way to present them on the page.
Murphy has a salad understanding of what needs to happen in order for action to make it to the page in a way that's both emotionally and intellectually compelling on its own.
Continues to show some promise and it's second issue.
Lee's artwork cuts and slashes across the page
Fleecs move away from the large ensemble dynamic.
The slightly lame arch-villain know as The Matriarch gets a bit more interesting
a fun, little starting point for anybody.
The series feels very fresh and familiar at the same time.
A very pure and consistently atmospheric rendering of the basic premise..
It’s an appealing opening with some complexity.
The art fuels like it has enough gravity to keep the momentum going as the series reaches its midway point.
Peter J. Tomasi and artist Peter Snejbjeerg continue to expand The Unbelievables Universe with a fun, new crop of paranormals.
The Energon Universe aspect of the series really seems to have come of age.
Once once again, Wilson manages enjoyable adventure for Felicia.
It would be nice to see Supergirl get back to her own momentum her own title.
Things speed up in the penultimate issue of a series.
Cantwell does an admirable job of the delivering street-level investigation in a world of the supernatural.
Nocenti plays an interesting game with traditional, super hero concepts.
Brombal finds a distinctive way of working through the crossover event without compromising a sharp focus on Batgirl in another satisfying issue
An emotionally heavy opening.