Wilson’s writing style glitters brilliant in a lightly comic adventure.
All in Action
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyder’s concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Johns delivers a very believable alternative history.
Fred Van Lente deftly juggles all of the different characters.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Wilson does a strikingly clever job with the foreshadowing.
Bean’s basic premise for the series is actually very clever.
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
A quick fantasy/drama encounter between magic user and magic creature.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Palmiotti and Conner find a pretty solidly entertaining tone.
Priest’s plot begins to come into full view.
Shalvey and McConville construct a remarkably tight, little plot.
Shalvey takes the opportunity to reveal a few more mysteries.