Rosenberg cranks-up the pacing considerably at the end of the series.
All in Action
Rosenberg cranks-up the pacing considerably at the end of the series.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
One of the more original personalities to be re-imagined for the comics page in recent years.
Beem hits the page with a ragged intensity.
Palmiotti outlines are very clever, little encounter.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Phillips taps into one of the more haunting, dramatic themes of the X-Men saga.
Williamson frames familiar action in a fresh way.
Schultz frames the drama pretty well on her own terms.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson renders a couple of clever bits of dramatic framing this month.
Brisson manages a very tight and surprisingly complicated picture.
The whole thing feels very awkward.
Wilson’s script fits perfectly with Melnikov’s art.
Cousens frames Cheetara as a deftly powerful energy.
Fred Van Lente has a sharp grasp of some rather clever dialogue.
Chu closes-up everything at the end in a way that feels cold and final.
Fleecs works with a surprisingly dizzying array of different elements.
It’s provocative stuff.