Brisson isn’t going for anything too terribly complicated here.
All in Sci Fi
Brisson isn’t going for anything too terribly complicated here.
It’s a kind of selflessness that rarely gets framed as cleverly as Pepose is managing here.
Orlando has a really clever approach here.
Russell has developed a fun sort of a atmosphere for what it is that he's doing.
Llovet tells a very traditional style romantic triangle story.
Tomasi takes a lot of time in rendering the central conflict.
It's a strange experiment.
Llovet keeps the essence of the story almost annoyingly simple.
Shalvey renders a remarkably sharp distillation of the film franchise.
Walsh weaves the heavier horror of the story.
It’s really, really easy to dismiss a whole lot of what Sitterson is doing.
A pretty sharp way to cast a supervillain in a new light.
It just feels real on more levels than it has any right to be.
Loughridge finds a suitable end point for a series.
Sanchez’ art has a refreshingly familiar Barry Windsor Smith feel.
Surprisingly comprehensive satire.
very well-executed.
In space no one can hear you say, “I’ll be back.”
Sniegoski takes a LOT of time setting-up the introduction.
Loughridge begins to gather everythign near the end of the series..