Bean manages a very sophisticated, little social satire.
All in Image Comics
Bean manages a very sophisticated, little social satire.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
It all hits the page quite dynamically.
Mora and Spicer have a hell of a lot of work to do with Kirkman’s script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Rick Remender continues an enjoyable dark fantasy.
Cannon concludes his horror mystery.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Pires has a lot of backstory to cover.
Kirkman has a solid handle on the scripting.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Jordan’s concept continues to hold a great deal of potential.
It’s quite engaging.
Remender he is working with an old war thriller cliché.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
There isn’t a whole lot going on here, but that doesn’t mean that it isn’t fun.
Silvestri puts together a few scenes that are solidly entertaining.
Young’s script for the issue in question actually feels remarkably reserved.
Harns firmly establishes a basic mood and tone for the series in the first issue.
Birks has done an admirable job.