Conner and Palmiotti amp-up the intensity of a silliness.
All in Crossover
Conner and Palmiotti amp-up the intensity of a silliness.
Ganuchaeu has a very thoughtfully put-together the team up.
Ziglar’s work feels pretty tightly-drawn from the traditional Spider-Man mold.
Flynn juggles a big cast of characters with an impressive efficiency.
The fourth issue is a remarkably sharp.
Diggle does find some clever craftsmanship in setting and dialogue.
Buccellato is trying to do a bit too much.
Buccellato moves the story along with great efficiency
Lanzing and Kelly play with iconic bits of Marvel history.
Waid is working with dynamics and elements that have been with the Justice League since Gardner Fox.
Cantwell and Waid have some fun with an earlier 20th century version of Batman and Superman.
Kelly place it a little fast and loose with the continuity.
Segura and Barajas weave the two narratives together quite well.
Adams firmly establishes everything that’s going on in Arthur’s life.
Waid orchestrates a fun “getting the team together” sort of an issue.
Williamson finds an interesting angle for the Absolute Power crossover.
Buccellato doesn't exactly have a whole lot more room to move around.
Allor keeps the dialogue simple.
The heavy sketches of Porter’s work are well-suited to a nightmare realm.