Terse dialogue and tight-lipped drama.
All in Crime
Terse dialogue and tight-lipped drama.
Lore and Meyer find the right angles for Alexis.
Andolfo and Blengino move the action around with a deft hand.
It’s not a mindless action story.
A nice closer for a fun drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
A narrative voice that’s thick enough to be bulletproof.
There’s just enough tone and mood to the visuals to keep the pages turning.
Buccellato puts challenging scenes together.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
Grayson takes her time getting everything lined up.
Tynion isn’t really doing anything new with the opening issue.
Howard finally found a dynamic that works with Selina.
Franchini keeps the action moving.
Brisson keeps the action moving quickly.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
A particularly nice embrace of a new season.
Cantwell is opening the series in uncertainty.
Seriously: just get rid of Batman in Detective Comics.
Basri frames the action with a steady hand.