Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.
All in Crime
Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.
It’s a fun one-shot that moves quickly across the page with wit and strikingly charismatic momentum.
Condon set up a respectable heist with a group of disreputable people
Kim how's things structured in a way that move along the plot.
SIlvestri hasn't found a way for it to lift up to its potential.
Kim’s script plays with crime fiction tradition while remaining true to the overall form of the genre.
Starks’ art matches the energy of his writing perfectly.
Grønbekk weaves a particularly compelling chapter for the Catwoman.
Kim delivers a script with brilliant pacing.
It's actually a very well balanced script.
Jordan’s concept continues to hold a great deal of potential.
Silvestri puts together a few scenes that are solidly entertaining.
One of the more original personalities to be re-imagined for the comics page in recent years.
Rucka does a respectable job of outlining the situation.
There’s a lot of potential in this series.
An interesting direction against the grain of expectation.
Gronbekk and company working around the edges of the Batman end of the DC universe.
Duggan packs the page with action and dark wit.
It’s remarkable just how quick DC was to cancel this series.
It’s remarkable just how quick DC was to cancel this series.