King manages some really clever bits of characterization.
All in DC Comics
King manages some really clever bits of characterization.
It doesn’t really feel like it fits-in to the rhythm.
It’s remarkable just how quick DC was to cancel this series.
It’s remarkable just how quick DC was to cancel this series.
The weird offbeat sitcom element of the series feels remarkably well-rendered
A really good balance for his title.
Wilson marks a major turning point for Ivy.
Thompson firmly establishes the conflict early on in the issue.
There is much to be admired in Fraction’s writing.
Beyruth does a good job of grounding the character in the tension.
The whole things seems to be more or less perfectly balanced on the page.
King is writing a line between absurdism and brutal action drama.
King has a very clever premise for coming-of-age story.
Campbell gives Kara that much more of a sense of altruism.
There are some very, very powerful moments of drama.
Diggle has an interesting series of problems to work out.
Poison Ivy continues to be one of the better comic books to emerge in the past ten years.
Thompson has a solid grasp on the history .
Flynn juggles a big cast of characters with an impressive efficiency.
Thompson continues to make her so appallingly relentless.