Snyder tells a traditional sort of action story pretty well.
All in DC Comics
Snyder tells a traditional sort of action story pretty well.
Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.
Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
Flynn works some degree of magic with simple complexities in a pair of over-simplified hero-versus-villains superhero worlds.
Lemire rather definitely channels the distinct dynamic of the JSA.
Fraction works with the extended ensemble in a way that feels very well balanced.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Guidry has found a lot of creative solutions to bringing Barry’s power to the page.
Grønbekk weaves a particularly compelling chapter for the Catwoman.
King returns Wonder Woman’s comic book to...Wonder Woman.
Campbell's run with Supergirl ends its first year with kind of an exhilarating ride.
There’s real love here and Waid is bringing it to the page beautifully.
Wilson continues a darkly comic and deeply nuanced supernatural drama.
A staggeringly aggressive 9-page fight sequence
Takara’s mastery of dramatic subtlety looks particularly brilliant.
There is some degree of poetry in Snyder‘s script.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyder’s concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Wilson does a strikingly clever job with the foreshadowing.