It would be nice to see Supergirl get back to her own momentum her own title.
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It would be nice to see Supergirl get back to her own momentum her own title.
Cantwell does an admirable job of the delivering street-level investigation in a world of the supernatural.
Brombal finds a distinctive way of working through the crossover event without compromising a sharp focus on Batgirl in another satisfying issue
A particularly surreal superhero group gets some fresh air thanks to a very sharp creative team.
Higgins respects the complexity of everything that's going on before.
After 22 issues, it’s quite an experience to see Diana truly enraged.
It may feel like it’s leaning-in too heavily to a Shakespearian tragedy, but it’s still a lot of fun.
Wilson and Fraction work quite well together.
It’s a profoundly moving look at a legend as seen through the eyes of the man who loves her.
Flynn’s script feels surprisingly consistent internally.
Brombal sets-up a weird, little nightmare funhouse.
The initial flitting between murders is a bit tedious.
The final issue in the series is staged as a showdown with a little bit of narrative punctuation afterwards.
Waid is juggling a hell of a lot in this issue.
Once again, this particular combination of characters feels more or less perfectly drawn.
Campbell juggles a lot in another satisfying issue.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldn’t have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
Snyder tells a traditional sort of action story pretty well.
Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.