Flynn’s script feels surprisingly consistent internally.
All in DC Comics
Flynn’s script feels surprisingly consistent internally.
Brombal sets-up a weird, little nightmare funhouse.
The initial flitting between murders is a bit tedious.
The final issue in the series is staged as a showdown with a little bit of narrative punctuation afterwards.
Waid is juggling a hell of a lot in this issue.
Once again, this particular combination of characters feels more or less perfectly drawn.
Campbell juggles a lot in another satisfying issue.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldn’t have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
Snyder tells a traditional sort of action story pretty well.
Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.
Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
Flynn works some degree of magic with simple complexities in a pair of over-simplified hero-versus-villains superhero worlds.
Lemire rather definitely channels the distinct dynamic of the JSA.
Fraction works with the extended ensemble in a way that feels very well balanced.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Guidry has found a lot of creative solutions to bringing Barry’s power to the page.
Grønbekk weaves a particularly compelling chapter for the Catwoman.
King returns Wonder Woman’s comic book to...Wonder Woman.
Campbell's run with Supergirl ends its first year with kind of an exhilarating ride.