Conner and Palmiotti Roll through a pretty fun comedy story.
All in DC Comics
Conner and Palmiotti Roll through a pretty fun comedy story.
Campbell’s writing paints big emotions in broad strokes.
Jones’ approach to the childishness is to simply have fun with it.
It’s not a comic book so much as it is a really, really illustrated horror story.
Overall pacing in composition of the script feel almost perfect.
Given enough time this could be a lot of fun.
Grønbekk has a subtle and nuanced approach.
Rucka does a respectable job of outlining the situation.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Waid manages to piece together a remarkably fun. little story idea from the margins of the multiverse.
There’s a great degree of thematic strength in what King is building.
Cagle does a pretty good job of making it all explode off the page with the right intensity.
Ahmed continues to explore a relief, fun concept.
Waid and Russell deliver some well-executed interpersonal comedy
Guest artist Kampe is given the opportunity to render the nightmare world of Kara.
There are going to be NCAA-style brackets and everything.
Conner and Palmiotti amp-up the intensity of a silliness.
Sampere’s clean-line approach to the visuals continues to find its own sense of charm.
Kalan launches Harley into a whole new adventure.
Gronbekk and company working around the edges of the Batman end of the DC universe.