There's an overwhelming intensity about the story.
All in Female Lead
There's an overwhelming intensity about the story.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
Llovett anchors her narrative very, very closely on the three central characters.
There’s no victimization. No abstract evil. Just tragedy.
Phillips taps into one of the more haunting, dramatic themes of the X-Men saga.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson manages a very tight and surprisingly complicated picture.
Wilson’s script fits perfectly with Melnikov’s art.
Cousens frames Cheetara as a deftly powerful energy.
Chu closes-up everything at the end in a way that feels cold and final.
It’s provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Gronbekk has a solid sense of execution.
There’s a great degree of thematic strength in what King is building.
Bennett’s best work in the issue involves the conversation between Lisa and Sara.
Scott throws a hell of a lot at the page.
If Popeye had been allowed to be a little bit more himself, it might be a little bit more interesting.
Llovet tells a very traditional style romantic triangle story.