It’s a nice juxtaposition that works quite well.
All in Female Lead
It’s a nice juxtaposition that works quite well.
Byrne keeps the visuals very sharp and striking.
Twenty seconds. She’s got 20 seconds to escape.
A well-thought-out introduction.
Schultz moves the action through the pages with a deft and witty hand.
A fascinating cosmic psychodrama.
Phillips thrusts Gwen into a fish-out-of-water adventure.
Portella’s art is exquisite.
The visuals DO step-up once the action sets-in,
Wagner’s anti-hero is a lot of fun to hang out with.
Thompson finds a strikingly natural way to split-up the team.
There’s a delicious graininess to Jones’ art.
It's really fun to see what Wilson is doing.
It’s sharply clever stuff.
Azaceta can say a tremendsous amount with only a few line.
Priest finds a relatively untrodden path with vampire fiction: parenthood.
It’s been a fun exploration with Grønbekk so far.
It’s a sharply-structured story that Allen is bringing to the page.
Wong makes the villain’s backstory interesting.
The fusion of campy, retro sci-fi with traditional sword and sorcery fantasy shows considerable promise.