Phillips’ sharp humor serves as a central focal point,
All in Marvel Comics
Phillips’ sharp humor serves as a central focal point,
Schultz is doing remarkably well seven issues into the new series.
Lanzing and Kelly play with iconic bits of Marvel history.
Fleecs rather quickly launches Ben into a very street bound adventure.
Guggenheim’s script feels like a bit of a mess at first. It’s like he’s just throwing a whole bunch oof different Marvel tropes.
Peralta does an excellent job of bringing Strasczynski’s work to the page.
Phillips cleverly balances the script between the cosmic and the interpersonal.
Scott has a bit of fun with mixing the fourth wall with everything else.
Villanelli and Milla work together quite well.
Wong has been sharp about keeping Psylocke moving.
Decades later Claremont returns to the Kitty/Wolverine dynamic.
Kelly place it a little fast and loose with the continuity.
It's fun to see that play out with Allen’s wit and heart.
It’s fun.
Schultz moves the action through the pages with a deft and witty hand.
A fascinating cosmic psychodrama.
Phillips thrusts Gwen into a fish-out-of-water adventure.
It’s a sharply-structured story that Allen is bringing to the page.
Wong makes the villain’s backstory interesting.
A really cool prequel to Strange Tales #89 from July of 1961.