Phillips manages a very tight ensemble of characters.
All in Marvel Comics
Phillips manages a very tight ensemble of characters.
Loeb opens the series with a big slugfest.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Phillips taps into one of the more haunting, dramatic themes of the X-Men saga.
Schultz frames the drama pretty well on her own terms.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Wilson’s script fits perfectly with Melnikov’s art.
Chu closes-up everything at the end in a way that feels cold and final.
Phillips is a solidly respectable writer. She's been doing a really good job.
The whole thing feels more than a little bit strange.
Gronbekk has a solid sense of execution.
Scott throws a hell of a lot at the page.
Rosenberg delivers a color palette that is somber and moody.
Belviso is brilliant.
The tremendous resilience of Maka is powerfully present in slight shades of phrase in her inner monologue.
Chu plays a bit with expectations in interesting directions.
Simone rather tightly frames a few father-and-son-style relationships.
Mercado shows a great degree of strength.
Ziglar’s work feels pretty tightly-drawn from the traditional Spider-Man mold.
Allen makes a casual run through a villains layer seem a lot more interesting than it has any right to be.