Simone rather tightly frames a few father-and-son-style relationships.
All in Marvel Comics
Simone rather tightly frames a few father-and-son-style relationships.
Mercado shows a great degree of strength.
Ziglar’s work feels pretty tightly-drawn from the traditional Spider-Man mold.
Allen makes a casual run through a villains layer seem a lot more interesting than it has any right to be.
Allen works her way through a very interesting couple of encounters.
Combines wit with faced-paced action..
Chu plays Emma’s story as an elegant fusion.
Wilson deftly nails some of the more lofty philosophical ends of the Black Cat.
Grønbekk is really getting into an interesting depth.
Phillips keeps the central action of the issue away from Gwen.
Horak’s detail hits the page without slowing-down the action.
Schultz delivers a dynamic to the page.
Ayodele manages something that feels new.
There is a pleasantly dizzy and kind of meta writing going on with Scott’s script.
Bloom has a solid premise that stems from a classic action hero cliche/
Straczynski and Noto do a brilliant job of making it feel new./
Chu taps into Emma’s appeal from an interesting angle
Mercado executes the complexity of the situation.
Carratù has a firm grasp of the fantastic.
Grønbekk manages an impressively deft moral ambiguity.