Smith and Carrasco continue to explore some of the strangely untapped thematic potential of a deeply appealing and relatable character.
All in Drama
Smith and Carrasco continue to explore some of the strangely untapped thematic potential of a deeply appealing and relatable character.
MacKay manages to deliver a very clearly-rendered story that feels satisfying in its own way.
In a way, Fire and Ice has been kind of a beautifully weird retro series.
The plot thickens in another interesting journey into horror with a cleverly iconic ensemble of characters.
Wilson and company are definitely leading-into the big 50th issue at the end of the Bad Seeds crossover event.
It's a surprisingly engrossing opening for the series.
The horror for the story arrests, largely around the edges of everything.
Tomasi takes traditional science fiction concepts that aren't uncommon to comic books and finds a new way to present them on the page.
Murphy has a salad understanding of what needs to happen in order for action to make it to the page in a way that's both emotionally and intellectually compelling on its own.
Burnett picks up the sky style and really runs with it.
Continues to show some promise and it's second issue.
Lee's artwork cuts and slashes across the page
Fleecs move away from the large ensemble dynamic.
The slightly lame arch-villain know as The Matriarch gets a bit more interesting
a fun, little starting point for anybody.
The series feels very fresh and familiar at the same time.
A very pure and consistently atmospheric rendering of the basic premise..
It’s an appealing opening with some complexity.
March set up an interesting parallel between the two different stories featuring the same character.
Peter J. Tomasi and artist Peter Snejbjeerg continue to expand The Unbelievables Universe with a fun, new crop of paranormals.