Thompson continues to make her so appallingly relentless.
All in Drama
Thompson continues to make her so appallingly relentless.
Frank is remarkably appealing.
Pichetshote and Tynion are working on several different levels.
There IS something kind of dark and foreboding about the whole thing.
The action isn’t given a whole lot of room to move.
Mercado executes the complexity of the situation.
Carratù has a firm grasp of the fantastic.
Sniegoski fuses a few different subgenres of horror together.
Mice have ears. Mouse Man knows.
Cafaro renders the action of the series with a sense of urgency.
Duggan marches right into the story.
Grønbekk manages an impressively deft moral ambiguity.
A pretty solid sword and sorcery mystery story.
Williams is navigating to a climax.
It all feels very well-rendered.
Johnson slams together a few fairly basic plot elements.
Marquez delivers the intensity of a supernatural drama with some sharp shocks.
The nuance of the romance feels particularly well-rendered by Ortega.
Wijngaard does some beautiful things with color.
Campbell has orchestrated a remarkably good plot structure.