Another issue graced by some characteristically witty Wilson dialogue.
All in Drama
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldn’t have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
It almost seem to be sort of telling some sort of a coherent story in a way.
A really exciting development for a series that was already quite a bit of fun to begin with.
Higgins and Busuttil dive into some of the rather less than glamorous elements of life as a Hollywood screenwriter.
Jordan continues to explore a world that is much more dangerous than our own.
A respectably enjoyable introduction to a monster horror story.
The flip book formatting for issue #24 is actually very, very cool.
Remender delivers the tragedies and complexities of war.
Wagner has carefully constructed the plot.
De Felici does a fantastic job of making everything seem oppressive and inescapable.
The art team develops a suitably cinematic look for the opening issue.
Grønbekk take the Thor symbiote premise and moves it through the Marvel Asgardian fantasy.
t’s a very clever combination of different Marvel Universe elements.
Hitch and Currie drive the drama to the page with respectably vivid emotions.
Kelly moves the narrative back and forth between Peter Parker and Spider-Man.
Snyder tells a traditional sort of action story pretty well.
The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.