Bennett gives the art team plenty of room to work.
All in Horror
Bennett gives the art team plenty of room to work.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.
Layman delivers a respectable amount of complexity to the page.
Richards explores quite a few different angles that are common to horror.
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
Bunn’s basic concept is actually quite brilliant.
Tobin and company keep the forward momentum of the action going.
Most of what's going on this issue is ted drama.
Wagner’s anti-hero is a lot of fun to hang out with.
There’s a delicious graininess to Jones’ art.
Priest finds a relatively untrodden path with vampire fiction: parenthood.