Rennie remains remarkably endearing.
All in Horror
Rennie remains remarkably endearing.
It’s a fun premise.
Allen is working with a rich tapestry of different elements.
Leiz etches the passion into the page.
Remender has a solid sense of cleverness.
Cannon is fairly brilliant with his execution of the tension.
Condon brings a sharp and clever pacing to the opening issue.
Johns narrowly misses a steaming pile of cliche.
Candonici beautifully renders the shifting emotional life of a disaffected high school girl.
Lemire paces the action of the issue quite well.
Rennie remains a totally relatable character.
Lots of weird poetry circulates around the edges of everything.
Tariq Geiger’s story reaches a resting point.
Bennett’s idea would have worked better as a series.
Johns has begun to move the plot deeper into its own mythology.
Peralta has a knack for finding the subtle around the edges of the overwhelming.
Kelly Thompson continues a captivating re-imagining of Wonder Woman with artist Hayden Sherman.
It’s trying to work on too many levels at once.
Bennett gives the art team plenty of room to work.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.