Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
All in Horror
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
The Power Fantasy is incredibly dense stuff. I
Bellaire does a remarkable job of granting exactly the kind of mood.
There’s real insight in what Brombal is writing.
Silvestri is laying in a tremendous amount story around the edges of everything.
Kennedy constructs an intriguing mood.
The gun that's decided to become a pacifist is remarkably clever stuff.
Sniegoski works his way through a narrative that fits together from a few different directions.
Van Lente’s script works on a few different levels.
Priest has fun with some casual conversation between vampires.
Stokoe has the tone and form of a Twilight Zone story perfect down to the last syllable.
Soule’s dual-layered story continues to do interesting things.
The horror keeps getting more and more heavy.
Tomasi elegantly slams everything together on the edge of the current storyline.
Zchut he's working with a great deal of metaphor.
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how they’re allowing the game to unravel.
Tynion’s story jumps across the first quarter of the 21st century.