Goette delivers the action with a sharp sense of perspective and balance.
All in Horror
Goette delivers the action with a sharp sense of perspective and balance.
James Tynion is working through a crucial period.
Fleecs continues a pretty brutal look at the lives of domestic pets.
Snejgjerg has a sharp and sensitive execution.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Tieri’s script almost seems to be trying to march the fun onto the page at gunpoint.
Abstract and intellectual emotional drama.
Condon makes one last stand with the series.
The plot intensifies.
There's an overwhelming intensity about the story.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
Llovett anchors her narrative very, very closely on the three central characters.
Beem hits the page with a ragged intensity.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
There’s no victimization. No abstract evil. Just tragedy.
Cannon is working with a lot of tiny elements on a tiny canvas.
The writing team’s choices begin to make a bit more sense.
It’s essentially a variation on the old Godzilla myth.
Bennett’s best work in the issue involves the conversation between Lisa and Sara.