The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
All in Horror
The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
Mulholland edges the dark fantasy into the page with a stylish flare.
Bennett has balanced the script quite well between philosophical drama and action.
Wagner and company manage a crisply appealing second chapter to a promising new series.
It's just really cool that these two particular writers happen to be working on something like this.
It's a pleasantly disorienting experience.
Gillen is working with an incredibly dense ensemble of characters.
Wilson continues a darkly comic and deeply nuanced supernatural drama.
It's nice to see the return to an old indie character.
The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
The story comes across as a very well-executed horror.
Young has little difficulty, pulling the narrative in a lot of weird directions.
Johns certainly seems to be entering some very interesting territory.
Writer Tony Fleecs gives his popular series the silent issue treatment.
The current state of war coverage echoes into shadows of the past in the latest Department of Truth.
A 1990s zine-like in the comic book with a hand-made feel.
Silvestri’s best work in the issue involves the conversation that Jackie has with the demons
Things get pretty brutal towards the end of the series.
There’s a crude appeal in the overall run of a series.
Birks follows the form and fashion of Lovecraft’s writing with a great sense of poise.