Nguyen keeps the art simple.
All in Horror
Nguyen keeps the art simple.
Ehrich and Condon wrap up compelling horror drama.
Michael Walsh opens a. whole new series for the venerable supernatiral character from teh wild west.
James Harren opens-up a whole new chapter on the life of one ofJack Kirby’s most interesting creations.
Percy has framed the basic foundation of the series quite well.
Johnson explores the distinct horror elements of Spider-Man’s origin
Kirkham doesn’t seem at all interested in going beyond the superficial.
This is a lot of fun.
The plot thickens in another interesting journey into horror with a cleverly iconic ensemble of characters.
Wilson and company are definitely leading-into the big 50th issue at the end of the Bad Seeds crossover event.
The horror for the story arrests, largely around the edges of everything.
Burnett picks up the sky style and really runs with it.
Lee's artwork cuts and slashes across the page
Fleecs move away from the large ensemble dynamic.
a fun, little starting point for anybody.
A very pure and consistently atmospheric rendering of the basic premise..
The fifth series of Creepshow is off to a really good start with the first issue.
The art fuels like it has enough gravity to keep the momentum going as the series reaches its midway point.
Peter J. Tomasi and artist Peter Snejbjeerg continue to expand The Unbelievables Universe with a fun, new crop of paranormals.
Seems to be picking up some kind of narrative momentum.