It’s all filtering through the darkness around the edges of each panel.
All in Horror
It’s all filtering through the darkness around the edges of each panel.
Silvestri is running our story that works on three different levels.
The Windoms don't wait for us solid second chapter in the series.
Kudranski’s work feels as appealing in the conceptual as it does in the visual.
Juni Ba tells a story that’s both fantastic and mundane in equal measure.
Boss expands some of the background on Exquisite Corpses.
It's just a really well done one shot.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldn’t have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
Jordan continues to explore a world that is much more dangerous than our own.
A respectably enjoyable introduction to a monster horror story.
The visuals seem like a weird collage of different elements.
Tomasi pieces the story pretty well.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
The art team develops a suitably cinematic look for the opening issue.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.
It’s more of an adventure as Lincoln looks to survive a facility that seems dead set on deleting him in one way or another.
It’s been an interesting journey with Lovecraft, Birks and Roberts.
It may not be totally embracing the potential of a Twilight Zone adaptation for page and panel, but it’s a very sharp celebration of the dawn of the franchise.