Lorenzo De Felici manages a promising opening to a new horrors series with Image Comics.
Lorenzo De Felici manages a promising opening to a new horrors series with Image Comics.
In the end is quite an experience.
It’s all very weird and lighthearted.
Once again, Fleecs manages a harrowingly tight balance.
Once again Vikings, Native Americans and werewolves mix in a distinctly unique action horror story.
Harms does a little more world building around the edges of the central drama.
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
It’s a remarkably concise action thriller that seems to know almost exactly how much story it can put between two covers.
Starks’ art matches the energy of his writing perfectly.
A satisfying conclusion to a series that’s been unique and distinctive.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Guidry has found a lot of creative solutions to bringing Barry’s power to the page.
Schultz has a really solid handle on a one-person super-powered drama
Bidikar is cleverly sharp in exploring the narrative.
Clearly McLean knows what he’s doing.
Tynion moves things further down the path of the unexpected.
Chaves delivers a fast-paced opening to a period action drama.
Porter splashes an immersive level of detail around page.
The artwork looks like it’s a cut-and-paste of stuff that Liefeld has done before.
The depth and texture that are present on the page are really quite beautiful.