Rosenberg cranks-up the pacing considerably at the end of the series.
Rosenberg cranks-up the pacing considerably at the end of the series.
The sheer density of Gillenβs writing reaches something of a critical mass.
There's an overwhelming intensity about the story.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
One of the more original personalities to be re-imagined for the comics page in recent years.
Llovett anchors her narrative very, very closely on the three central characters.
Beem hits the page with a ragged intensity.
Johns is doing a character study for what feels like a sequel.
Palmiotti outlines are very clever, little encounter.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Thereβs no victimization. No abstract evil. Just tragedy.
Phillips taps into one of the more haunting, dramatic themes of the X-Men saga.
Rucka does a respectable job of outlining the situation.
Williamson frames familiar action in a fresh way.
Schultz frames the drama pretty well on her own terms.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson renders a couple of clever bits of dramatic framing this month.
Brisson manages a very tight and surprisingly complicated picture.
The whole thing feels very awkward.