Wilson’s writing style glitters brilliant in a lightly comic adventure.
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyder’s concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Birks has done an admirable job.
Johns delivers a very believable alternative history.
Fred Van Lente deftly juggles all of the different characters.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Poke comes across as a deeply relatable character.
Wilson does a strikingly clever job with the foreshadowing.
Bean’s basic premise for the series is actually very clever.
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
The latest developments at the end of the 35th issue seem quite promising.
A quick fantasy/drama encounter between magic user and magic creature.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue