After 22 issues, itβs quite an experience to see Diana truly enraged.
After 22 issues, itβs quite an experience to see Diana truly enraged.
It may feel like itβs leaning-in too heavily to a Shakespearian tragedy, but itβs still a lot of fun.
Wilson and Fraction work quite well together.
Wilson is clearly having fun with the strangely volatile nature of the Marvel Universe.
It might have turned into something more than what makes it to the page.
Itβs like Michael Bay did a comic book.
An echo of an echo of a copy of a shadow of something else.
Remender really pushes this squalid in this one.
Bennett sets-up a very clever, little crossover and executes it beautifully.
Itβs a profoundly moving look at a legend as seen through the eyes of the man who loves her.
Kudranski concocts a fun hardboiled detective/pop culture horror mash-up
The darkness continues to creep in from every possible corner.
Hitch delivers dramatic intensity to the page in really impressive format.
It's kind of fun to have a science fiction or fantasy or horror.
Soule it is working with a really fun premise.
Murphy does an elegant job of laying out the story.
Silvestri it's working a lot around a lot of edges.
The action is brought to the page with a dynamic sense of aggression.
Itβs all quite well-executed.