Wilson deftly balances between surreal, absurdist fantasy and very Earthbound contemporary societal drama.
Wilson deftly balances between surreal, absurdist fantasy and very Earthbound contemporary societal drama.
Percy has a solid grasp for the kind of dark humor.
Phillips is exploring a darker path for Gwen.
Yang does a good job of pacing the issue.
Phillips gracefully allows the story to filter-in to the action.
Holly-Rosing has a very warm and formal approach to storytelling.
It will be interesting to see where the Rosenberg's take it in this series.
Kim’s script plays with crime fiction tradition while remaining true to the overall form of the genre.
Lemire rather definitely channels the distinct dynamic of the JSA.
Fraction works with the extended ensemble in a way that feels very well balanced.
Lorenzo De Felici manages a promising opening to a new horrors series with Image Comics.
In the end is quite an experience.
It’s all very weird and lighthearted.
Once again, Fleecs manages a harrowingly tight balance.
Once again Vikings, Native Americans and werewolves mix in a distinctly unique action horror story.
Harms does a little more world building around the edges of the central drama.
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
It’s a remarkably concise action thriller that seems to know almost exactly how much story it can put between two covers.
Starks’ art matches the energy of his writing perfectly.
A satisfying conclusion to a series that’s been unique and distinctive.