It's just a really well done one shot.
It's just a really well done one shot.
Another issue graced by some characteristically witty Wilson dialogue.
Though the twist at the ending couldnβt have possibly ben more obvious, Brombahl does a pretty good job of telling a story.
It almost seem to be sort of telling some sort of a coherent story in a way.
A really exciting development for a series that was already quite a bit of fun to begin with.
Higgins and Busuttil dive into some of the rather less than glamorous elements of life as a Hollywood screenwriter.
The action rushes across the page with amplified emotion.
Jordan continues to explore a world that is much more dangerous than our own.
Johns has put in a tremendous amount of work crafting a very intricate world.
A respectably enjoyable introduction to a monster horror story.
The flip book formatting for issue #24 is actually very, very cool.
MacLeanβs adventure has been one of extreme silliness.
Remender delivers the tragedies and complexities of war.
The visuals seem like a weird collage of different elements.
The anatomy is silly enough that it might have been drawn by Liefeld.
Tomasi pieces the story pretty well.
Wagner has carefully constructed the plot.
De Felici does a fantastic job of making everything seem oppressive and inescapable.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
The art team develops a suitably cinematic look for the opening issue.