The flip book formatting for issue #24 is actually very, very cool.
The flip book formatting for issue #24 is actually very, very cool.
MacLeanβs adventure has been one of extreme silliness.
Remender delivers the tragedies and complexities of war.
The visuals seem like a weird collage of different elements.
The anatomy is silly enough that it might have been drawn by Liefeld.
Tomasi pieces the story pretty well.
Wagner has carefully constructed the plot.
De Felici does a fantastic job of making everything seem oppressive and inescapable.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
The art team develops a suitably cinematic look for the opening issue.
GrΓΈnbekk take the Thor symbiote premise and moves it through the Marvel Asgardian fantasy.
tβs a very clever combination of different Marvel Universe elements.
Hitch and Currie drive the drama to the page with respectably vivid emotions.
Kelly moves the narrative back and forth between Peter Parker and Spider-Man.
Snyder tells a traditional sort of action story pretty well.
The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.
Itβs more of an adventure as Lincoln looks to survive a facility that seems dead set on deleting him in one way or another.
Avallone juggles a lot of different elements in comedy drama, about a down-on-his-luck artist.