Wilson’s script fits perfectly with Melnikov’s art.
Wilson’s script fits perfectly with Melnikov’s art.
Cousens frames Cheetara as a deftly powerful energy.
Fred Van Lente has a sharp grasp of some rather clever dialogue.
Chu closes-up everything at the end in a way that feels cold and final.
Fleecs works with a surprisingly dizzying array of different elements.
Stultz frames the action quite well.
Cannon is working with a lot of tiny elements on a tiny canvas.
It’s provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Shalvey exploring some interesting territory.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
The writing team’s choices begin to make a bit more sense.
The whole thing feels more than a little bit strange.
Waid manages to piece together a remarkably fun. little story idea from the margins of the multiverse.
It’s essentially a variation on the old Godzilla myth.
Brisson isn’t going for anything too terribly complicated here.
It’s a kind of selflessness that rarely gets framed as cleverly as Pepose is managing here.
Gronbekk has a solid sense of execution.
Brisson does a remarkable job of moving the action along.
Orlando has a really clever approach here.