Phillips is a big fan of Daredevil and it shows.
Phillips is a big fan of Daredevil and it shows.
There’s real love here and Waid is bringing it to the page beautifully.
Wilson continues a darkly comic and deeply nuanced supernatural drama.
Smith has a sharp and witty execution.
Gail Simone has fun putting a kind of a Mad Magazine-style anthology spoof into the context of a single narrative
Johns and Frank explore the more prominent characters in Geiger and Redcoat.
A very sharply rendered adventure.
It's nice to see the return to an old indie character.
Kim delivers a script with brilliant pacing.
Remender works with some poetically powerful concepts.
Schultz find some interesting new territory for Rogue.
The historical drama forms a firm of foundation for the horror and the action of that which Sharp is rendering for the page.
The story comes across as a very well-executed horror.
Tynion begins to bring a lot of elements together in the penultimate chapter of the series.
Young has little difficulty, pulling the narrative in a lot of weird directions.
Johns certainly seems to be entering some very interesting territory.
It's OK, though: they’re “savages.”
Writer Tony Fleecs gives his popular series the silent issue treatment.
The current state of war coverage echoes into shadows of the past in the latest Department of Truth.
A 1990s zine-like in the comic book with a hand-made feel.