Takara’s mastery of dramatic subtlety looks particularly brilliant.
Takara’s mastery of dramatic subtlety looks particularly brilliant.
Allen establishes a solidly interesting conflict for Dani.
Cannon concludes his horror mystery.
The visual aspects of the story bind it to the comic book page quite well.
There's a strong emotional impact in the events of the first issue.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Horvath draws the current series to its inevitable end where quite a bit of intensity.
Pires has a lot of backstory to cover.
Kirkman has a solid handle on the scripting.
There is some degree of poetry in Snyder‘s script.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Strikingly well-rendered both conceptually and visually.
Jordan’s concept continues to hold a great deal of potential.
It's both silly and absurd, while also being very appealing as an action horror concept.
It’s quite engaging.
There is a considerable amount of poetry in the fantasy that Barbiere is binding to the page.
Remender he is working with an old war thriller cliché.
Edgar Rice Burroughs meets Rob Liefled meet on the comics page under the influence of a 1990s 1-on-1 fighting game.
Smith does a strikingly good job of framing a fantasy story.
The plot is appealingly irreverent.