Llovett ratchets-up the tension.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how they’re allowing the game to unravel.
Conner and Palmiotti Roll through a pretty fun comedy story.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Remender does a clever job of illustrating the problems with violent revolution.
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Priest explores the past of a character with a surprisingly long history.
Tynion’s story jumps across the first quarter of the 21st century.
Liefeld is throwing way too much at the page.
Sniegoski weaves the story quite well.
Shalvey and McConville set up a very simple premise that is very easy to follow.
Campbell’s writing paints big emotions in broad strokes.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Jones’ approach to the childishness is to simply have fun with it.
Given the right narrative momentum The Darkness could really turn into something interesting.
Camp’s absurdist/surrealist horror story is insanely clever.
Phillips manages a very tight ensemble of characters.
It’s not a comic book so much as it is a really, really illustrated horror story.