Silvestri’s best work in the issue involves the conversation that Jackie has with the demons
Silvestri’s best work in the issue involves the conversation that Jackie has with the demons
Things get pretty brutal towards the end of the series.
Johns paint the script in broad strokes.
There’s a crude appeal in the overall run of a series.
Birks follows the form and fashion of Lovecraft’s writing with a great sense of poise.
It's actually a very well balanced script.
There’s something good in Battle Beast...but it’s not all that clear quite precisely what it is.
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
A couple of twisted explorations into the darker end of superpowers.
It’s always a pleasure to hang out with Felicia by way of G. Willow Wilson.
A staggeringly aggressive 9-page fight sequence
Ewing does an impressive job of juggling everything.
Howard and Tarr are a great match.
Bean manages a very sophisticated, little social satire.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
It all hits the page quite dynamically.
Mora and Spicer have a hell of a lot of work to do with Kirkman’s script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Rick Remender continues an enjoyable dark fantasy.