Wilson does a strikingly clever job with the foreshadowing.
Wilson does a strikingly clever job with the foreshadowing.
Bean’s basic premise for the series is actually very clever.
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
The latest developments at the end of the 35th issue seem quite promising.
A quick fantasy/drama encounter between magic user and magic creature.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Palmiotti and Conner find a pretty solidly entertaining tone.
Priest’s plot begins to come into full view.
Shalvey and McConville construct a remarkably tight, little plot.
Shalvey takes the opportunity to reveal a few more mysteries.
And then Casey gets lost in a whole bunch of stuff that isn't really terribly interesting.
It's a nice pacing and overall composition for a single issue.
Jordan outlines a particularly clever idea.
Bram and Jones drag their horror drama further into the dry and dusty light of day.
It’s a powerful chapter in the saga that moves conflicts forward with some pretty dynamic narrative momentum.