Harren’s Kirby-inspired art moves thoughtfully and cunningly across the page.
Harren’s Kirby-inspired art moves thoughtfully and cunningly across the page.
It's really well executed on every level.
The distinct colors of an alien world feel unique.
It’s been strange fun.
SIlvestri hasn't found a way for it to lift up to its potential.
It’s subtle. Wagner is cleverly extending the characterization of the murder victim.
Bennett and Tynion dive into a folk horror that fuses with a narrative that draws inspiration from Hunter S. Thompson.
There's a moodiness that feels very hauntingly vacant.
Tomasi’s scripts suggest a deeply well-constructed world that has been planned-out with considerable care and cunning.
Writer/artist Brett Bean’s hit series continues to prove itself in another issue.
Kindlon’s pacing of the action feels more or less perfect.
It’s a quick and brutal issue.
Science-versus-religion in a Florida theme park? Sounds like a lot of fun.
Johns expands and expounds on the mysteries that he’s been delivering.
In the end, it's just really appealing and fun.
Jordan and Sobreiro are exploring the world that has its own kind of appeal.
The intriguingly distinct horror continues to carve-out a niche for itself on the comics rack.
Kirkman’s not really adding anything new.
t takes a lot of guts to decide that this should be the way a story like this should make it to the page of a primary visual medium.