Ronda has a wonderful grasp of the Carl Barks duck cartoon style.
Ronda has a wonderful grasp of the Carl Barks duck cartoon style.
Physics donβt work like that. Neither does human anatomy,
Sara Frazetta crafts, some genuine poetry in the epic fantasy story.
Tomasi elegantly slams everything together on the edge of the current storyline.
Ganucheau finds an incredible amount of novelty in a story that would otherwise be very, very traditional.
Panosian delivers a story with some very clever, twists and turns.
The balance in the script and the pacing is almost perfect,
Zchut he's working with a great deal of metaphor.
Cannonβs scripting leaves a lot of delicious ambiguity around the edges.
Shalvey continues to add to the lore of this series.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how theyβre allowing the game to unravel.
Conner and Palmiotti Roll through a pretty fun comedy story.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Remender does a clever job of illustrating the problems with violent revolution.
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Priest explores the past of a character with a surprisingly long history.
Tynionβs story jumps across the first quarter of the 21st century.
Liefeld is throwing way too much at the page.