Young has little difficulty, pulling the narrative in a lot of weird directions.
All in Comedy
Young has little difficulty, pulling the narrative in a lot of weird directions.
There’s a crude appeal in the overall run of a series.
It’s always a pleasure to hang out with Felicia by way of G. Willow Wilson.
Howard and Tarr are a great match.
Bean manages a very sophisticated, little social satire.
Young’s script for the issue in question actually feels remarkably reserved.
A more or less perfect adaptation of the traditional Muppet script style.
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
It's kind of an interesting dynamic for a heroic series.
Bean’s basic premise for the series is actually very clever.
Palmiotti and Conner find a pretty solidly entertaining tone.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
Ronda has a wonderful grasp of the Carl Barks duck cartoon style.
Physics don’t work like that. Neither does human anatomy,
Conner and Palmiotti Roll through a pretty fun comedy story.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
Jones’ approach to the childishness is to simply have fun with it.
Monclare cleverly uses the amount of space allotted for a single issue.
Robinson does a good job of making the dog in question look both very canine and very cybernetic.