The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
All in Comedy
If Destruction Be Our Lot #2 // Review
It’s more of an adventure as Lincoln looks to survive a facility that seems dead set on deleting him in one way or another.
Drawing Blood #11 // Review
Avallone juggles a lot of different elements in comedy drama, about a down-on-his-luck artist.
Black Cat #11 // Review
G. Willow Wilson continues a deeply enjoyable series with Felicia.
D'Orc #5 // Review
Brett Bean continues a thoroughly entertaining fantasy comedy.
Wade Wilson: Deadpool #4 // Review
Percy has a solid grasp for the kind of dark humor.
I Hate Fairyland #50 // Review
It’s all very weird and lighthearted.
D'Orc #3 // Review
As ridiculously amplified as it all is, it remains really entertaining.
Deadpool: April Pool’s Day #1 // Review
Gail Simone has fun putting a kind of a Mad Magazine-style anthology spoof into the context of a single narrative
I Hate Fairyland #49 // Review
Young has little difficulty, pulling the narrative in a lot of weird directions.
Lucky Devils #7 // Review
There’s a crude appeal in the overall run of a series.
Black Cat #8 // Review
It’s always a pleasure to hang out with Felicia by way of G. Willow Wilson.
Sirens: Love Hurts #2 // Review
Howard and Tarr are a great match.
D’Orc #2 // Review
Bean manages a very sophisticated, little social satire.
I Hate Fairyland #48 // Review
Young’s script for the issue in question actually feels remarkably reserved.
The Muppets Noir #1 // Review
A more or less perfect adaptation of the traditional Muppet script style.
Black Cat #7 // Review
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Sirens: Love Hurts #1 // Review
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Wade Wilson: Deadpool #1 // Review
It's kind of an interesting dynamic for a heroic series.
D’Orc #1 // Review
Bean’s basic premise for the series is actually very clever.