Geiger comes across with great strength as an action hero. So does his two-headed wolf Barney.
All in post apocalyptic
Geiger comes across with great strength as an action hero. So does his two-headed wolf Barney.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
Johns expands and expounds on the mysteries that he’s been delivering.
Johns paint the script in broad strokes.
Johns delivers a very believable alternative history.
Aaron takes a dark fantasy concept and supercharges it.
Johns’ script is a strange and perplexing collage.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
The Glowing Man’s visual signature is really impressive.
It all feels very well-rendered.
Johns rides a very fine line between laughable silliness and poetic, legendary heroic action.
Truly fresh and invigorating on a variety of different levels.
Johns lays-out a very clear physical conflict between three men and a two-headed dog.
Frank has developed a really unique visual signature for the character.
The story gets really interesting.
A great deal of time world-building with this issue.
Robinson’s story is not without its charm.
Savage Avengers ends the only way it can: hard, fast, and with complete love for comics and the characters.
Sidney leaves the Academy to find the city.
As the vampires fight over Laura, Raymond and his human captor make their way closer.