The Rosenbergs take things from a dark place and move them to an even darker place.
All in post apocalyptic
The Rosenbergs take things from a dark place and move them to an even darker place.
Geiger comes across with great strength as an action hero. So does his two-headed wolf Barney.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
Johns expands and expounds on the mysteries that he’s been delivering.
Johns paint the script in broad strokes.
Johns delivers a very believable alternative history.
Aaron takes a dark fantasy concept and supercharges it.
Johns’ script is a strange and perplexing collage.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
The Glowing Man’s visual signature is really impressive.
It all feels very well-rendered.
Johns rides a very fine line between laughable silliness and poetic, legendary heroic action.
Truly fresh and invigorating on a variety of different levels.
Johns lays-out a very clear physical conflict between three men and a two-headed dog.
Frank has developed a really unique visual signature for the character.
The story gets really interesting.
A great deal of time world-building with this issue.
Robinson’s story is not without its charm.
Savage Avengers ends the only way it can: hard, fast, and with complete love for comics and the characters.
Sidney leaves the Academy to find the city.