It may not be totally embracing the potential of a Twilight Zone adaptation for page and panel, but it’s a very sharp celebration of the dawn of the franchise.
All in IDW Publishing
It may not be totally embracing the potential of a Twilight Zone adaptation for page and panel, but it’s a very sharp celebration of the dawn of the franchise.
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
It's a pleasantly disorienting experience.
Horvath draws the current series to its inevitable end where quite a bit of intensity.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Abstract and intellectual emotional drama.
Costa modulates a sci-fi horror comedy quite well.
Allor keeps the dialogue simple.
Cantwell, Kelly, and Lanzing contrast various characters and personalities against each other.
It’s a fun opening to a fast-paced action drama.
Wilson’s dialogue is as crisp as ever.
Once Godzilla shows up, he pretty much takes over the book.
The work of some really impressive talents.
Grayson takes her time getting everything lined up.
Booher really launches everyone into conflict.
It’s nice to see the return of a few old friends.
A pleasantly strange twist.
Wilson is guiding it through the all-too-familiar territory of fast food and a Satanic cult.
It’s Kaiju vs Megazord, as the Power Rangers take on Godzilla!