Phillips finds a unique entry into a weird sub-sub-genre of science fiction.
All in Female Lead
Phillips finds a unique entry into a weird sub-sub-genre of science fiction.
Bellaire does some AMAZING work with color.
Captain Marvel #36 is the perfect ending to a story arc with its action-packed sequences balanced by the emotional catharsis of Carol finally vanquishing a foe that’s come after her time after time.
This issue is a stellar entry in a run that keeps getting better.
Ayala and Williams do an outstanding job.
Takara continues remarkably graceful visuals for Diana.
There is thoughtful murkiness in the course of the final moments of the series.
Action hero clichés take on a fun playfulness between siblings.
A story that explores some surprisingly deep emotional territory.
MacKay manages to make both characters equally appealing.
Rowell has a slick wit about her.
It’s a sharp writing debut for Emily Kim.
Harley has undergone a lot of growth as a character, and that’s especially visible in the aftermath of Ivy’s leaving. Harley Quinn #11 is a great start to the next arc of Harley’s story.
A delicious balance between conflict, peril, action, and wit.
A largely satisfying issue.
It's a tight path to walk in only 20+ pages.
A well-told story by King.
A well-framed third issue for Kate.
Zdarsky and company admirably open a promising new series.