Bennett gives the art team plenty of room to work.
All in Horror
Bennett gives the art team plenty of room to work.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.
It’s a fun opening.
Layman delivers a respectable amount of complexity to the page.
Richards explores quite a few different angles that are common to horror.
A fun sort of a moody action mystery,
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
Bunn’s basic concept is actually quite brilliant.
The story jumps around A LOT.
This is the nightmare of The Power Fantasy.
Tobin and company keep the forward momentum of the action going.
Hicks carefully renders a supernatural drama.
Most of what's going on this issue is ted drama.
Portella’s art is exquisite.
Wagner’s anti-hero is a lot of fun to hang out with.
There’s a delicious graininess to Jones’ art.
Vecchio plays with the mutability of reality.
Tynion’s script remains as appealing as it is.
Hicks is a solidly respectable storyteller
Priest finds a relatively untrodden path with vampire fiction: parenthood.