It’s trying to work on too many levels at once.
All in Horror
It’s trying to work on too many levels at once.
Bennett gives the art team plenty of room to work.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.
It’s a fun opening.
Layman delivers a respectable amount of complexity to the page.
Richards explores quite a few different angles that are common to horror.
A fun sort of a moody action mystery,
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
Bunn’s basic concept is actually quite brilliant.
The story jumps around A LOT.
This is the nightmare of The Power Fantasy.
Tobin and company keep the forward momentum of the action going.
Hicks carefully renders a supernatural drama.
Most of what's going on this issue is ted drama.
Portella’s art is exquisite.
Wagner’s anti-hero is a lot of fun to hang out with.
There’s a delicious graininess to Jones’ art.
Vecchio plays with the mutability of reality.
Tynion’s script remains as appealing as it is.
Hicks is a solidly respectable storyteller