The darker earthbound elements of Batgirl’s life take a backseat to fantasy-driven psychodrama in a satisfying issue.
All in DC Comics
The darker earthbound elements of Batgirl’s life take a backseat to fantasy-driven psychodrama in a satisfying issue.
Superman deals with the aftermath of revealing his identity.
Superman’s Pal Jimmy Olsen remains DC’s funniest title with issue #7.
He-Man and the Masters of the Multiverse #3 fails to reach the pulpy heights of the first two issues.
Legion of Super-Heroes #3 has gorgeous art, but it’s so jam-packed with plot that it becomes hard to follow.
The Question: The Deaths of Vic Sage #2 is a hidden gem.
DC editorial should have known better than to publish Gotham City Monsters #5.
The Flash and Glider must convince the other Rogues to turn against Cold.
Clean and kinetic without too many loose ends.
Houser and company find something appealing in another hero-vs-hero story.
Writer Cecil Castellucci delivers a new twist on an old premise.
The joke plays out pretty much as expected.
The Legion Of Doom have Superman on the ropes.
Overall, Lois Lane #7 is a strong entry in a strong series.
Even a lesser issue of Dial H for HERO, as #10 is, is still delightfully ridiculous.
The Low, Low Woods #1 is another moody debut from DC’s Hill House imprint.
Suicide Squad #1 is an explosive debut from Tom Taylor and Bruno Redondo.
The second issue of John Constantine: Hellblazer is a success.
Batman: Last Knight on Earth ends on a confusing note.
Basketful of Heads #3 is another solid entry in what is turning out to be the best of DC’s Hill House horror comics line.