Lieberman has a solid grasp of the basic action of the story.
All in Female Lead
Lieberman has a solid grasp of the basic action of the story.
Benitez and Cheng construct a very solid first quarter for their new series.
Thompson nails the balance perfectly.
It's all moving with the right kind of momentum.
GrΓΈnbekk has an inventive flair for traditional sword-and-sorcery.
Itβs one, long interrogation.
Niles wraps-up the tale with a very brisk set of action-based pages.
There really IS a kind of weighty reality that Priest is bringing to the page.
Some journeys donβt require words.
This is a classic chase and hunt sort of a thing.
McFarlane is working with a dozen different cliches.
Thompson has a sharp wit
Giovanni moves around the action on the page with a precise hand.
Cafaro has a solid sense of mood and tone.
King does a brilliant job of characterization with a very diverse group of heroes.
Krajewski and Muro develop a really social sort of an opening narrative.
The dialogue is quick and crisp.
The clever bit is Thompsonβs ability to modulate the aggression of the action.
Wilson ends her second year with Pam in an emotionally crushing issue.
The horror is dense. The atmosphere is immersive.