Young is closing-out the equation in the final issue.
All in Horror
Young is closing-out the equation in the final issue.
So much of what Tynion is doing is so very, very simple.
A pretty cool idea that McFarlane totally fails to live-up to.
Layman tells a very concise story.
Lyra is a hell of a lot more interesting than the title character of Spawn.
A weirdly compelling kind of stiffness.
It's all moving with the right kind of momentum.
A REALLY promising beginning.
Wagner is doing a sharp job.
Bertram’s art builds a richly textured background.
Niles wraps-up the tale with a very brisk set of action-based pages.
There really IS a kind of weighty reality that Priest is bringing to the page.
Tynion is working with tropes that have been used pretty extensively before.
Kennedy clearly has a deep respect for his artist’s ability.
McConville weaves a perfectly good chapter.
Fleecs is handling quite a lot in the course of a story,
Roberts’ darkness is substantial.
It’s not terribly deep.
Might be one of the single best things Remender has written in the past few years.
Gündüz frames some really striking imagery.