Lemire paces the action of the issue quite well.
All in Horror
Lemire paces the action of the issue quite well.
Rennie remains a totally relatable character.
Lots of weird poetry circulates around the edges of everything.
Tariq Geiger’s story reaches a resting point.
Bennett’s idea would have worked better as a series.
Johns has begun to move the plot deeper into its own mythology.
Peralta has a knack for finding the subtle around the edges of the overwhelming.
Kelly Thompson continues a captivating re-imagining of Wonder Woman with artist Hayden Sherman.
It’s trying to work on too many levels at once.
Bennett gives the art team plenty of room to work.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.
It’s a fun opening.
Layman delivers a respectable amount of complexity to the page.
Richards explores quite a few different angles that are common to horror.
A fun sort of a moody action mystery,
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
Bunn’s basic concept is actually quite brilliant.
The story jumps around A LOT.
This is the nightmare of The Power Fantasy.
Tobin and company keep the forward momentum of the action going.