It lacks the kind of nuance that would elevate it.
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It lacks the kind of nuance that would elevate it.
Pires and White have a clear and definite idea of where they’re going with the story,
Soule walks a fine line.
Walker’s wit takes advantage of a very resourceful sense of humor.
A remarkably concise, little one-shot
Acosta frames the action pretty well.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
Parrott enters the new plot arc with style and poise.
Haberlin and Wall seem to be in a bit of a hurry to wrap up the series.
Craig keeps the action moving without bogging the page and panel down in too much drama.
Young takes a while to get the story moving.
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Kudrański is taking his time with the story.
Another well-rendered, well-modulated issue.
Barnes manages a very heartfelt iteration of the premise.
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
Writer Todd McFarlane does his...McFarlane thing…
Madureira picks up the series more or less where he left it 22 years ago.