King manages some really clever bits of characterization.
All tagged Tom King
King manages some really clever bits of characterization.
King is writing a line between absurdism and brutal action drama.
King has a very clever premise for coming-of-age story.
Mice have ears. Mouse Man knows.
The nuance of the romance feels particularly well-rendered by Ortega.
King plays with a few different elements in a deeply enjoyable standalone story.
King finds a respectably bewildering opening.
March constructs the mystery with the hand of an architect..
It’s a nice juxtaposition that works quite well.
Sampere gives Diana that kind of stature that befits a legend.
King has been playing a bit of a chess match.
Under the power of King’s writing, it’s a perfect fit.
It’s one, long interrogation.
King does a brilliant job of characterization with a very diverse group of heroes.
The alternating narratives cast a fascinating reflection into who Diana is.
It’s a cheap gimmick, but it works.
King has a tremendous amount of patience in laying out the full reality of a life.
King dives into a particularly dark end of romance.
King constructs a well-conceived script.
Cloonan and Conrad are saying goodbye.