Superman reveals his secret identity to the world.
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Superman reveals his secret identity to the world.
Itβs fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.
Lois Lane #6 is a great comic, but it feels like yet another detour from the main story.
It's been a while since there has been a Rogues story where they were actually a big threat.
With the Legion Of Doom, Leviathan, and the Invisible Mafia arrayed against him, Superman has his hands full.
Basketful of Heads #2 is a great horror comic.
A very clever contrast between hero and villai makes for a very satisfying issue.
John Constantine: Hellblazer #1 is a good debut, and a return to Constantineβs horrific roots.
Supermanβs Pal Jimmy Olsen has Bat-mania with issue #5.
The first issue of The Question: The Deaths of Vic Sage smartly reintroduces the Question and his supporting cast.
Even a weak issue of Dial H for HERO is more inventive and more clever than quite a bit of whatβs on the stands.
He-Man and the Masters of the Multiverse #1 isnβt a good comic by any means, but itβs still entertaining.
Batman/Superman #4 doesnβt offer much more than a well-rendered slugfest.
One of the better of the mandatory tie-ins for the Year of the Villain crossover.
It feels like little more than a pale echo of something that might have been deeper.
Far Sector #1 is a compelling first issue, and a great comics debut for fantasy superstar N.K. Jemison.
A glorious return to the style and form for Joelle Jones.
Gotham City Monsters #3 is full of overwrought dialogue and weird anatomy.
Gorgeous art doesnβt stop Event Leviathan #6 from being a disappointment.
The Dollhouse Family #1 looks exactly like a 1990s Vertigo comic, but it lacks the soul of that period in comics.