Reverse-Flash is on a mission to finally take Barry down, and he's gathering an army of familiar faces from Flash's rogues' gallery to do it.
All in DC Comics
Reverse-Flash is on a mission to finally take Barry down, and he's gathering an army of familiar faces from Flash's rogues' gallery to do it.
Castellucci’s framing feels more than a little weird.
The shrewd, compassionate, problem-solving edge of Diana’s temperament is given an enjoyable outing in a couple brief tales.
A story which had been veering into some pretty timeworn territory is given new life in Diana’s latest issue.
Everything finally begins to unravel for Harley in a way that begins to feel remarkably satisfying by the issue’s end.
An impressively diverse line-up of classy tales of larceny.
Sevenbergen tells a fun, little story.
The emotional momentum of the series is maintained.
Feels a bit sparse on action and dramatic weight.
Every plot point feels almost perfectly on target at just the right time.
The issue’s central conflict makes for a satisfying adventure.
This is a VERY sharply-paced issue.
What Humphries is attempting here IS interesting.
The characterization of Wonder Woman is deftly nuanced.
It’s a very well-balanced script from beginning to end.
Is this real, or just a trap set by Paradox?
Steve Orlando rushes through the tale of political turmoil on a distant planet.
The drama that asserts itself through page and panel makes an impact.
Cecil Castellucci flings Batgirl into an engrossing adventure.
It’s Superman and the heroes’ last stand.