Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
All in Drama
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
It’s nice to see the reptilian getting a bit of the spotlight as the series continues.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Darcy Van Poelgeest lets loose on the restless energy.
Johnson's rendering continues to be very appealing.
Shalvey doesn’t move that far beyond a traditional Vietnam narrative.
Daniel Warren Johnson is cleverly playing with the pieces that he's been given.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.