Mhanโs artwork is highly kinetic.
All in Dynamite Comics
Mhanโs artwork is highly kinetic.
Parker is dealing with pieces that aren't necessarily all that original.
Continues to build on elements that have been established in a rather satisfying series thus far.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Clark and DeSouza set up a perfectly cool crime procedural.
Sutter rushes through a great many encounters in a single issue.
Skull Island. Seriously, call it Skull Island: The Great War.
Lee is working with the fundamentals of action storytelling.
Kalan's Hades has no business being anywhere near as appealing as it is.
A fun opening to what is hopefully going to be a really well-articulated horror drama.
Hoyt plays elegantly with ambiguity and strategy.
Mancoโs art draws a great deal of inspiration from Frazetta.
A very well-executed visual package.
A strangely vivacious and flirtatious necromancer? Itโs such a cool idea.
Qualano puts just enough on the page to tell the story.
Just over half of the issue is an interrogation in Purgatory.
Grรธnbekk opens the series with a well-woven first issue.
Avallone has more than a few genuinely funny moments here and there.
Brown isn't quite pacing things right.
Weisman cleanly opens a primal and well-defined conflict of simple elements.