Schultz IS using the format to dive into aspects of Laura’s personality.
All in Female Lead
Schultz IS using the format to dive into aspects of Laura’s personality.
It works.
Thompson has a few major elements in focus for the issue.
Segura has a solid sense of rhythm, timing and intensity.
Thompson delivers a staggeringly clever story about stories and the lessons they reveal.
Bunn’s basic concept is actually quite brilliant.
It's fun to see that play out with Allen’s wit and heart.
Williams plays rather deftly with an extended ensemble.
It’s a nice juxtaposition that works quite well.
Byrne keeps the visuals very sharp and striking.
Twenty seconds. She’s got 20 seconds to escape.
A well-thought-out introduction.
Schultz moves the action through the pages with a deft and witty hand.
A fascinating cosmic psychodrama.
Phillips thrusts Gwen into a fish-out-of-water adventure.
Portella’s art is exquisite.
The visuals DO step-up once the action sets-in,
Wagner’s anti-hero is a lot of fun to hang out with.
Thompson finds a strikingly natural way to split-up the team.
There’s a delicious graininess to Jones’ art.