The emotion is strong in a story with a plot just outside the realm of easy comprehension.
All in Image Comics
The emotion is strong in a story with a plot just outside the realm of easy comprehension.
There IS a surprising amount of dramatic complexity rendered into the faces of the lead characters.
Young provides just enough room in all the drama for Corona to give the world of Middlewest its unique visual fantasy.
The series gains momentum in a satisfying second issue.
An infiltration of a dystopian government facility doesn't live up to the intensity it should have had.
Writer David Hine and artist Brian Haberlin’s story increases in complexity.
The UGC Rebels strike against Mother.
Poetic dialogue and beautiful visuals keep the series suitably dreamlike as it glides through its fourth outing.
A lovely second serving of blood, with a great twist that will keep you on your toes
It’s the final showdown.
A series that is starting to show signs of substantial originality.
Killadelphia pushes the boundaries of the noir genre and urban vampire tales deeper.
Young does a good job with the balance and pacing of this issue.
Another exciting issue of a very provocative series.
Writer/artist/letterer John Upchurch takes a spin with the old cliche in a world of humans and werewolves.
Undiscovered Country #2 is an improvement over the first issue.
The “best laid plans” come apart.
The question of how Telsa got to Sampson is answered.
All the pieces are set up for the endgame.