Ellie and Ryan both get missions.
All in Image Comics
Ellie and Ryan both get missions.
Inkblot rests wide-eyed at the center of it all in another enjoyable journey into fantasy.
Tynion IV dives into the deep, deep darkness of contemporary consciousness.
It may be little more than another loser-saves-the-world storyline, but Remender and Larosa keep it fun.
Worlds collide.
It's a muddled farrago that still has the potential to turn into something more.
Another issue that doesnβt quite live up to its potential
Kubertβs playful sense of amplification makes Inkblot unmistakably feline.
Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
A story that is weighted so heavily in dialogue really has no business working this well in a comic book format.
Old friends return and surprises abound.
The pacing of the story gets a bit lost in the poetry early on.
The drama hits the page with an odious moistness.
A cluttered mess of a debut.
A weird action story that lurches around the page appealingly.
The second issue draws further appeal from Kubert's adorably oblivious hero.
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
The murky poetic mess of the narrative is great fun.
All across the galaxy, things come together, both for good and for ill.