Loughridge begins to gather everythign near the end of the series..
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Loughridge begins to gather everythign near the end of the series..
Lieberman comes dangerously close to completely fragmenting the plot.
The darkness in the series continues to deepen.
The two ends of the story feel remarkably well-articulated.
Orellana is working on a remarkably small canvas.
Niosi’s art has a thoughtful precision to it.
Bram and Jones keep everything firmly rooted in reality.
Snjelbherg fits the artwork over a very narrow sort of a genre.
Andreyko comes dangerously close to making a point.
Re balances the cramped conditions of the sub against the big intensity of the drama.
Frampton doesn’t bog-down the issue in too much dialogue or narration.
The genius of Hyde Street is that it tends to focus on the victims.
Hama sets-up a really sharp single-unit infiltration.
Brisson’s story has an admirable simplicity.
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
Ayala is using some very clever narrative techniques.
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.