The artwork is absolutely gorgeous.
All in Image Comics
The artwork is absolutely gorgeous.
Tynion seems to have done a good job.
Johns is juggling a lot of different elements.
Twenty seconds. She’s got 20 seconds to escape.
A well-thought-out introduction.
Portella’s art is exquisite.
It just feels real on more levels than it has any right to be.
Hester has a strikingly well-modulated story to tell.
Wagner’s anti-hero is a lot of fun to hang out with.
There’s a delicious graininess to Jones’ art.
Orellana draws on quite a few different elements to wrap-up the series.
Vecchio plays with the mutability of reality.
Tynion’s script remains as appealing as it is.
Loughridge finds a suitable end point for a series.
Shalvey could really expand this one issue into a whole series.
Azaceta can say a tremendsous amount with only a few line.
Hicks is a solidly respectable storyteller
Priest finds a relatively untrodden path with vampire fiction: parenthood.
Matthew Rosenberg opens a brilliantly inventive new series.
Boss weaves a fun initial premise.