The writing alone makes Miles Morales: Spider-Man #11 still a worthwhile read, but the use of fill-in artists really hurts this issue.
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The writing alone makes Miles Morales: Spider-Man #11 still a worthwhile read, but the use of fill-in artists really hurts this issue.
Felicia’s emotional somersaults in and amidst the action is great fun.
A strange, little diversion into another place and a distant conflict serves as the end of a series.
Ghost Rider #1 is a compelling first issue, showing a great deal of promise.
Xavier and the Quiet Council lay down the law.
Frank Castle’s rampage of revenge draws in the unstoppable Juggernaut!
The endgame for Otto vs Norman is at hand. Is the die truly cast?
The themed anthology format works strikingly well, especially in an era of high-priced individual comics.
McGuire and company maintain a remarkably balanced work/life/superhero balance in the issue.
Fun mutations of action that take full advantage of the weirdness.
More of the building blocks of Krakoa are revealed!
Frank Castle takes his never-ending war to the denizens of the Nine Realms!
A story that is well-written with poorly-paired art styles.
Lei is given just enough personality in and around the action to command a very unique presence.
There’s very little here that hasn’t been visited and revisited countless times.
After a hard fought battle, the mutants stand ascendant.
Logan learns whose behind all his troubles in the Badlands.
Breaking up is hard to do in Absolute Carnage #3.
Writer Saladin Ahmed partners with artist Joey Vazquez, color artist Ian Herring, and letterer Joe Caramagna to make a story that's one part YA contemporary and three parts superhero adventure.
More light is shed on the relationship between Xavier and Krakoa.