Howard and Tarr are a great match.
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Howard and Tarr are a great match.
It all hits the page quite dynamically.
Rick Remender continues an enjoyable dark fantasy.
Takara’s mastery of dramatic subtlety looks particularly brilliant.
There's a strong emotional impact in the events of the first issue.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Strikingly well-rendered both conceptually and visually.
It's both silly and absurd, while also being very appealing as an action horror concept.
It’s quite engaging.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Young’s script for the issue in question actually feels remarkably reserved.
Harns firmly establishes a basic mood and tone for the series in the first issue.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Birks has done an admirable job.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Poke comes across as a deeply relatable character.
Wilson does a strikingly clever job with the foreshadowing.
The latest developments at the end of the 35th issue seem quite promising.