Shalvey and McConville set up a very simple premise that is very easy to follow.
All tagged A
Shalvey and McConville set up a very simple premise that is very easy to follow.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Jones’ approach to the childishness is to simply have fun with it.
Camp’s absurdist/surrealist horror story is insanely clever.
Goette delivers the action with a sharp sense of perspective and balance.
Spurrier is definitely moving into allegorical ground at the end of the series.
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.
Groom delivers a story that works on multiple different levels.
Robinson does a good job of making the dog in question look both very canine and very cybernetic.
James Tynion is working through a crucial period.
Remender does a strikingly clever job.
Fleecs continues a pretty brutal look at the lives of domestic pets.
The Glowing Man’s visual signature is really impressive.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Fiumara keeps the opulence to a striking simplicity.
Condon makes one last stand with the series.
Rosenberg cranks-up the pacing considerably at the end of the series.
There's an overwhelming intensity about the story.
FedVan Lnte has a masterful approach to blending all of the characters.
One of the more original personalities to be re-imagined for the comics page in recent years.