Johns manages to keep it all moving without weighing-down the action.
All tagged Geoff Johns
Johns manages to keep it all moving without weighing-down the action.
Hitch delivers dramatic intensity to the page in really impressive format.
So much of the script seems to be simply directing the flow of traffic between Hornsby, Halo and the Rocketfellers.
Geiger comes across with great strength as an action hero. So does his two-headed wolf Barney.
Johns has put in a tremendous amount of work crafting a very intricate world.
Hitch and Currie drive the drama to the page with respectably vivid emotions.
The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
Ghost Machine actually uses what feels like the bulk of the issue to promote a new title that’s coming-out later this month,
The deeper end of the themes being explored will continue to take some time to develop on the page.
Johns it is continuing to move around the drama of the ensemble. T
Johns expands and expounds on the mysteries that he’s been delivering.
Johns and Frank explore the more prominent characters in Geiger and Redcoat.
Johns certainly seems to be entering some very interesting territory.
Johns paint the script in broad strokes.
Johns delivers a very believable alternative history.
Johns takes traditional, superhero tropes and presents them in a completely new light.
Johns’ script is a strange and perplexing collage.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Johns manages some are very deft work in delivering a two-part issue.
The Glowing Man’s visual signature is really impressive.