Abnett’s dialogue and narration are pure poetry.
All in Action
Abnett’s dialogue and narration are pure poetry.
Bunn has deftly fused a clear sense of tension into the final issue.
Porter takes the traditional pulpy sci-fi super-heroic adventure and tweaks it a bit
Redondo’s level of detail is its own character in this issue.
Andolfo is a seasoned professional.
It’s a bit of an old premise, but Hampton finds an interesting venue for it.
Howard clearly has a very solid grasp of all of the weird convolutions that are going on in the Gotham City.
There’s a tremendous amount of power shooting across the page.
A very noble way to tackle the final issue of the series.
Cloonan and Conrad are saying goodbye.
A solidly entertaining narrative.
Walker’s wit takes advantage of a very resourceful sense of humor.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
Sutter has a great deal of world to establish in the first few pages of the new series.
Lewis finds a fresh spin on a traditional combat between magical entities.
A sharply balanced political drama.
Kennedy opens the issue with a few pages of speechless combat.
Burnett has a beautiful grasp of kinetic motion in action.
Zornow makes the visuals look cute without being overly cuddly.
Adams and company take a well-balanced approach to Hal and his life.