King is writing a line between absurdism and brutal action drama.
All in DC Comics
King is writing a line between absurdism and brutal action drama.
King has a very clever premise for coming-of-age story.
Campbell gives Kara that much more of a sense of altruism.
There are some very, very powerful moments of drama.
Diggle has an interesting series of problems to work out.
Poison Ivy continues to be one of the better comic books to emerge in the past ten years.
Thompson has a solid grasp on the history .
Flynn juggles a big cast of characters with an impressive efficiency.
Thompson continues to make her so appallingly relentless.
The fourth issue is a remarkably sharp.
The action isnβt given a whole lot of room to move.
Mice have ears. Mouse Man knows.
Williams is navigating to a climax.
The nuance of the romance feels particularly well-rendered by Ortega.
Campbell has orchestrated a remarkably good plot structure.
Williams manages a cleverly-balanced ensemble.
Diggle does find some clever craftsmanship in setting and dialogue.
Starrer finds real human drama in supernatural circumstances.
Phillips has a brilliantly crisp and distinctive sense of humor.
Buccellato is trying to do a bit too much.