The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
All in Drama
The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
The weird complications of principal photography on a supervillain-helmed movie continue to cast light on a cleverly under-developed end of the Marvel Universe.
It’s fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.
Lois Lane #6 is a great comic, but it feels like yet another detour from the main story.
The interpersonal drama comes to the fore in an engaging story revealing a bit more about Becky’s personality.
A very clever contrast between hero and villai makes for a very satisfying issue.
Ewing and Aaron manage to find a really novel new way to defeat an old villain.
Writer Mark Waid wraps things up quite nicely in an issue drawn by Mattia De Iulis.
Writer Seanan McGuire carves out a little more uneasy narrative terrain for the young superhero.
It feels like little more than a pale echo of something that might have been deeper.
Hine and Haberlin deliver the darker end of the villains in a very engaging second issue.
Williams’ story of life as a Hollywood actress in the Marvel Universe is starting to gain some traction in its second issue.
The cleverly simple complexity of the Dirty Mind sex club is the central focus of much of the issue.
A glorious return to the style and form for Joelle Jones.
A brilliant approach to an Indiana Jones/Tomb Raider-style adventure…with a bit of Ocean’s Eleven thrown-in.
Stephen Green's sense of perspective draws the first arc of the series to a close with style.
Lois Lane #5 is the comics equivalent of a prestige cable drama.
Dialogue between Black Cat and her date is contrasted against the desperate entanglement of her former mentor.
Art and story mix in a pleasant duet
In a special Thanksgiving issue, Booster Gold teaches Harley the true meaning of Crossover.