A satisfying ending to the 18-part series.
All in Drama
A satisfying ending to the 18-part series.
Far deeper and more satisfying than anything else in the Joker War crossover thus far.
Pérez's work shoots off the page with bewildering energy.
Lupacchino keeps the physical end of the action moving across the page.
This issue manages to navigate Quinn's significant psychological territory in a reasonably satisfying way.
The thick, ponderousness of the backstory finally breaks a bit in a drama between man, woman and god.
Palmiotti and Conner cleverly construct an emotionally stirring action drama.
A more profound blending of art and story seems just out of reach.
There’s a hell of a lot of activity in this issue.
The final issue ends without any clear sense of conclusion.
Young knows full well what his artist is capable of doing on the page.
Another satisfyingly strange issue.
Castellucci’s framing feels more than a little weird.
A fast-paced espionage story
The emotional impact that McGuire delicately pummels into the issue leaves a powerful impression.
The shrewd, compassionate, problem-solving edge of Diana’s temperament is given an enjoyable outing in a couple brief tales.
MacKay and Villa put together a fun, little heist.
A story which had been veering into some pretty timeworn territory is given new life in Diana’s latest issue.
Everything finally begins to unravel for Harley in a way that begins to feel remarkably satisfying by the issue’s end.
An impressively diverse line-up of classy tales of larceny.