Foxe plays the horror pretty close to humor.
All in Drama
Foxe plays the horror pretty close to humor.
Once Godzilla shows up, he pretty much takes over the book.
Abnett’s dialogue and narration are pure poetry.
Bunn has deftly fused a clear sense of tension into the final issue.
Ram V gives the darkness of the series a firm grounding.
Andolfo is a seasoned professional.
It’s a bit of an old premise, but Hampton finds an interesting venue for it.
Howard clearly has a very solid grasp of all of the weird convolutions that are going on in the Gotham City.
There’s a tremendous amount of power shooting across the page.
A very noble way to tackle the final issue of the series.
Cloonan and Conrad are saying goodbye.
A solidly entertaining narrative.
A remarkably concise, little one-shot
Acosta frames the action pretty well.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
A sharply balanced political drama.
Kennedy opens the issue with a few pages of speechless combat.
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Adams and company take a well-balanced approach to Hal and his life.