Schultz frames the drama pretty well on her own terms.
All in Drama
Schultz frames the drama pretty well on her own terms.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson renders a couple of clever bits of dramatic framing this month.
Brisson manages a very tight and surprisingly complicated picture.
Wilson’s script fits perfectly with Melnikov’s art.
Cousens frames Cheetara as a deftly powerful energy.
Fred Van Lente has a sharp grasp of some rather clever dialogue.
Chu closes-up everything at the end in a way that feels cold and final.
Fleecs works with a surprisingly dizzying array of different elements.
Stultz frames the action quite well.
Cannon is working with a lot of tiny elements on a tiny canvas.
It’s provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Shalvey exploring some interesting territory.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
The writing team’s choices begin to make a bit more sense.
Waid manages to piece together a remarkably fun. little story idea from the margins of the multiverse.
It’s essentially a variation on the old Godzilla myth.
Brisson isn’t going for anything too terribly complicated here.
It’s a kind of selflessness that rarely gets framed as cleverly as Pepose is managing here.