Weisman launches straight into the action right away.
All in Fantasy
Weisman launches straight into the action right away.
Luna and Wood spend some time establishing the interpersonal dramas.
Manco’s art draws a great deal of inspiration from Frazetta.
So much is seen through the eyes of the two children.
A fun fantasy drama with a sharp sense of wit.
Manga-inspired art rolls across the page.
A strangely vivacious and flirtatious necromancer? It’s such a cool idea.
Moreci wastes little time in getting right into the heart of the conflict.
Mignola handles all of this with a very steady hand.
Brusha’s plot structure moves things along swiftly.
A very earthbound sense of life-or-death survival.
Beacham could slide off into a direction of intolerable cliche.
Seems to actually kind of reach for something deeper than the silliness.
There’s a primal, sweeping sense of action.
Grønbekk opens the series with a well-woven first issue.
Brown isn't quite pacing things right.
Wilson’s dialogue is as crisp as ever.
Mignola and Roberson do a very clever job of establishing the story's place in history.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
As a writer, Kubert knows her own strengths as an artist.