There’s a hell of a lot of backstory to layer in around the edges.
All in Fantasy
There’s a hell of a lot of backstory to layer in around the edges.
Laufman is doing such a good job of bringing the cartoons of the violence to the page.
Weisman moves the narrative along very quickly.
Thompson continues to make her so appallingly relentless.
Cafaro renders the action of the series with a sense of urgency.
Young knows exactly how much space he needs to tell this particular joke.
Thompson expands the mythology of the Absolute with a high-gravity adventure.
Strukan’s overall layout is quite good.
So much of The Power Fantasy could be done as a stage play.
Things get pretty goofy pretty quickly.
Layman delivers a respectable amount of complexity to the page.
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
It's fun to see that play out with Allen’s wit and heart.
It’s sharply clever stuff.
It’s a sharply-structured story that Allen is bringing to the page.
The fusion of campy, retro sci-fi with traditional sword and sorcery fantasy shows considerable promise.
Devastatingly intense.
Philosophical, emotional AND aggressive.
Lightly silly fun of fantasy comedy.
The script and pacing are weirdly cool.