Joëlle Jones returns as writer/artist auteur in a spooky, little pair of moods.
All in Female Lead
Joëlle Jones returns as writer/artist auteur in a spooky, little pair of moods.
If the theme of Kamala's journey thus far has been growth and development, then this issue shows the often-overlooked consequences of these phenomenons. Saladin Ahmed writes about topics like corporate expansion and workers rights through the lens of a superhero/supervillain power struggle. Artists Joey Vazquez and Alex Arizmendi, colorist Ian Herring, and letterer VC's Joe Caramagna lend their talents to this very topical story.
The strange and sudden end to a journey from a great distance away feels a bit jarring.
Dani gracefully scratches out the decaying detail on a world hanging on to life long after it has passed into the past.
Jodi Houser does an admirable job of preserving the mystery in the second issue of Natasha’s latest mini-series.
Thanks to clever oddness from Huphries and Basri, it’s still quite a bit of fun.
Hellmouth #1 is a compelling enough continuation of the story that’s been ongoing in the Buffy the Vampire Slayer series.
Lois Lane #4 is a great example of why Lois is a linchpin of the DC Universe.
An interesting story of an aboriginal magic cast in the modern world.
Felicia’s emotional somersaults in and amidst the action is great fun.
It’s a weirdly satisfying end to a pleasantly odd satire.
SFSX does a great job at intentionally overlapping sex and social commentary without being heavy-handed.
The themed anthology format works strikingly well, especially in an era of high-priced individual comics.
McGuire and company maintain a remarkably balanced work/life/superhero balance in the issue.
The art IS still overpowering the story in the second issue, but far less so than it did in the debut issue last month.
A fully-engaging conflict in another cleverly-balanced issue by the new creative team.
Stjepan Šejić’s Harleen #1 is a sexy retelling of Harley Quinn’s origin.
A story that is well-written with poorly-paired art styles.
Lei is given just enough personality in and around the action to command a very unique presence.
A relatively substantial issue in spite of the uneven narrative mix.