The Cull is completely unlike anything else on the comics rack right now.
All in Horror
The Cull is completely unlike anything else on the comics rack right now.
Tynion crafts a very tight, little personality around Thessaly.
Wilson nails some of the more intriguing things that make Poison Ivy such a relatable character.
A fun opening to what is hopefully going to be a really well-articulated horror drama.
King has a tremendous amount of patience in laying out the full reality of a life.
Hazan launches the danger directly at the survivors.
Williamson carefully crafts a series of scenes.
Watters gives Jim Gordon another close-up.
It’s kind of an interesting image. Very iconic.
There are several thematic layers to Tynion’s story.
Clearly a story of one of the most horrifying prisons imaginable.
It’s like something blew up on the page.
Qualano puts just enough on the page to tell the story.
A perfectly respectable family drama.
Gailey narrowly focuses the issue on a single encounter.
There's a lot of aggression that's being set up.
The art team is a good portion of the reason why Hill’s script works.
Palicki fills a fairly dense occult mystery with funny dialogue.
On a surface level, it feels very strange.
Shand might be trying to cram a BIT too much story into a single issue.