A nice closer for a fun drama.
All in Image Comics
A nice closer for a fun drama.
Starks gives Gabby and Trudy a suitably enjoyable end.
Palpable and famous moments from the 1970s and 1980s are put on the page with a crisp, brisk, and witty sense of drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
In theory, it should be a lot of fun.
A narrative voice that’s thick enough to be bulletproof.
Prince has a poetic sense of darkness.
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
Cates and Stegman have reached the climax of this particular story arc.
Claretti’s manga-inspired art has a bouncy, rubbery energy.
Craig is laying out a hell of a lot.
Segovia shows some talent for pushing around the demonic muscle.
It lacks the kind of nuance that would elevate it.
Pires and White have a clear and definite idea of where they’re going with the story,
Soule walks a fine line.
Walker’s wit takes advantage of a very resourceful sense of humor.
A remarkably concise, little one-shot
Acosta frames the action pretty well.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
Parrott enters the new plot arc with style and poise.