Things seem to shift quite a bit in the first half of the first issue.
All in Image Comics
Things seem to shift quite a bit in the first half of the first issue.
He’s a monster, but Lemire cleverly engenders sympathy for him.
Guggenheim wraps the first story arc up with a bit of a surprise ending.
Barberi has a pretty solid look going for the issue.
Lemire tackles the drama with a solid sense of mystery.
Liu’s work is deep and resonant.
King dives into a particularly dark end of romance.
Robinson is now ready to dive more deeply into the central conflict of the series.
A nice closer for a fun drama.
Starks gives Gabby and Trudy a suitably enjoyable end.
Palpable and famous moments from the 1970s and 1980s are put on the page with a crisp, brisk, and witty sense of drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
In theory, it should be a lot of fun.
A narrative voice that’s thick enough to be bulletproof.
Prince has a poetic sense of darkness.
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
Cates and Stegman have reached the climax of this particular story arc.
Claretti’s manga-inspired art has a bouncy, rubbery energy.
Craig is laying out a hell of a lot.
Segovia shows some talent for pushing around the demonic muscle.