Ultimately it comes together, but it’s a bit of a disappointment.
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Ultimately it comes together, but it’s a bit of a disappointment.
Hama has been juggling big ensembles and thick plots for decades now.
Remender a mixes contemporary social satire with a very sharp sort of a family drama.
It’s been fun so far.
Oh christ...the dialogue is awful.
Cafaro has a solid sense of mood and tone.
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
Motion lines. They’re abusing motion lines.
Bertram’s work is brutally surreal.
Busiek and Nicieza have the nucleus of a good idea.
Llovet’s story has a crisp precision about it.
Daniel's story crunches together a hell of a lot in a minimal time.
McConville’s script is okay.
Tynion doesn’t draw a whole lot of insight into the characters.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.
Parker and Sheridan really have something here.
Crook glides the horror drama through a well-paced story.
The story gets really interesting.
The script is fun.