The art team does a good job of harnessing the horror.
All in Image Comics
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.
Young walks the fine line between comedy and drama.
Todd McFarlane tries his best to tell a story.
Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Fleecs fills the issue with a very heartfelt kind of precision.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
Craig is working with a fusion of various different elements.
Mele does a solid job of delivering the action to the page.
Johns’ script works on a few different levels.
Walsh cleverly constructs the concerns of the heart.
Seeley balances the story pretty tightly between action and investigation.
Cox has been slowly making a statement about humanity.
Loughridge is delivering a cleverly complicated exploration.
Gillen is jumping around in history quite a bit over the course of the issue.
Pirzada’s script juggles quite a few characters.
There’s an encrypted otherworldliness about the experience.
Tynion cleverly plays with some of the more prominent bits of legend .